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Make Good Art

The problems of failure are problems of discouragement, of hopelessness, of hunger. You want everything to happen and you want it now, and things go wrong. My first book – a piece of journalism I had done for the money, and which had already bought me an electric typewriter  from the advance – should have been a bestseller. It should have paid me a lot of money. If the publisher hadn’t gone into involuntary liquidation between the first print run selling out and the second printing, and before any royalties could be paid, it would have done.

And I shrugged, and I still had my electric typewriter and enough money to pay the rent for a couple of months, and I decided that I would do my best in future not to write books just for the money. If you didn’t get the money, then you didn’t have anything. If I did work I was proud of, and I didn’t get the money, at least I’d have the work.

Every now and again, I forget that rule, and whenever I do, the universe kicks me hard and reminds me. I don’t know that it’s an issue for anybody but me, but it’s true that nothing I did where the only reason for doing it was the money was ever worth it, except as bitter experience. Usually I didn’t wind up getting the money, either.  The things I did because I was excited, and wanted to see them exist in reality have never let me down, and I’ve never regretted the time I spent on any of them.

The problems of failure are hard.

The problems of success can be harder, because nobody warns you about them.

The first problem of any kind of even limited success is the unshakable conviction that you are getting away with something, and that any moment now they will discover you. It’s Imposter Syndrome, something my wife Amanda christened the Fraud Police.

In my case, I was convinced that there would be a knock on the door, and a man with a clipboard (I don’t know why he carried a clipboard, in my head, but he did) would be there, to tell me it was all over, and they had caught up with me, and now I would have to go and get a real job, one that didn’t consist of making things up and writing them down, and reading books I wanted to read. And then I would go away quietly and get the kind of job where you don’t have to make things up any more.

The problems of success. They’re real, and with luck you’ll experience them. The point where you stop saying yes to everything, because now the bottles you threw in the ocean are all coming back, and have to learn to say no.

I watched my peers, and my friends, and the ones who were older than me and watch how miserable some of them were: I’d listen to them telling me that they couldn’t envisage a world where they did what they had always wanted to do any more, because now they had to earn a certain amount every month just to keep where they were. They couldn’t go and do the things that mattered, and that they had really wanted to do; and that seemed as a big a tragedy as any problem of failure.

And after that, the biggest problem of success is that the world conspires to stop you doing the thing that you do, because you are successful. There was a day when I looked up and realised that I had become someone who professionally replied to email, and who wrote as a hobby.  I started answering fewer emails, and was relieved to find I was writing much more.

 The rest of this speech is so good. Watch it. Read it. It’s so worth it.

The Invocation


This is an invocation for anyone who hasn’t begun, whose stuck in a terrible place between 0 and 1:

Let me realize that my past failures that follow through are no indication of my future performance, their just healthy little fires that are gonna’ warm up my ass.

If my FILDI* is strong let me keep him in a velvet box until I really really need him.
If my FILDI* is weak let me feed him oranges and not let him gorge himself on ego and arrogance.

Let me not hit up my Facebook like it’s a crack-pipe, keep the browser closed.

If I catch myself wearing a tutu (too), too fat too late too old, let me shake it off like a donkey would shake off something it doesn’t like.

When I get that feeling in my stomach, you know that feeling when all of a sudden you get a ball of energy and it shoots down into your legs and up into your arms and tells you to stand up and goto the refrigerator and get a cheese sandwich – that’s my cheese monster talking. And my cheese monster will never be satisfied with cheddar, only the cheese of accomplishment.

Let me think about the people that I care about the most. And how when they fail or disappoint me I still love them, I still give them chances, and I still see the best in them – let me extend that generosity to myself.

Let me find and use metaphors to help me understand the world around me, and give me the strength to get rid of them when it’s apparent that they no longer work.

Let me thank the parts of me that I don’t understand or are outside of my control, like my creativity and my courage.
Let me remember that my courage is a wild dog, it won’t just come when I call it. I have to chase it down and hold on as tight as I can.

Let me not be so vain to think that I am the sole author of my victories, and a victim of my defeats.

Let me remember that the unintended meaning that people project on what I do is neither my fault, nor something that I can take credit for.

Perfectionism may look good in his shiny shoes, but he’s a little bit of an asshole and nobody invites him to their pool parties.

Let me remember that the impact of criticism is often not the intent of the critic, but when the intent is evil that’s what the block button is for.

And when I eat my critique, let me be able to separate out the good advice from the bitter herbs.

*Can’t understand the over-dub’d speech*

Let me not think of my work only as a stepping stone to something else, and if it is let me become fascinated by the shape of the stone.

Let me take the idea that has gotten me this far, and put it to bed. What I’m about to do will not be that. But it will be something.

There’s no need to sharpen my pencils anymore, my pencils are sharp enough – even the dull ones will make a mark. Warts and all.

Let’s start this shit up.

And god let me enjoy this, life isn’t just a sequence of waiting for things to be done.


Thanks to Ryan for turning me on to Ze Frank’s new show. It’s exactly what I needed.

Terrified

The tired eyes of a crazy Bags

The tired eyes of a half-crazy, half-terrified Bags...

I realized tonight exactly what I’m supposed to be doing with my life.

I’ve known it for a while now, but I guess I’ve never really sat down and stared the truth in the face. I’ve never taken the time to verbalize my passion and the fear that rides its coattails.

I intimately know the thing gets me fired up. I know what sets my heart ablaze. I know it because I’ve been thinking about it non-stop for almost 2 years. The funny thing? I’m absolutely terrified to follow through with it…

I’m petrified that if I actually create this thing that I’ve been stewing over and fantasizing about all this time, I won’t do it justice. I’m scared that people won’t see value in something I believe so wholly in. I’m tremble at the notion that this thing I hold so close to my heart won’t resonate with people the way it resonates with me.

I’m shaking in my boots… but I know if I don’t follow through, I’ll be a big, fat, walking disappointment to myself.

Tonight, I feel alive, and possibly more mortified than I’ve felt in my entire life. The only solution is to walk straight into the pitch blackness of  anticipation, excitement, raw anxiety and dread with the hope that there is solid ground that can only manifest itself if I plunge head-first into the nightmare.

So, this is what it feels like to be alive…


Thanks to my new friend Michelle for pushing me through a tough discussion, and being willing to listen. And thanks to Amber for always always always being the crazy voice that pushes me to be one of the crazy ones.